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Transomatics is a breath-work and movement guide, made by and for trans and gender diverse people. It offers a trans-informed approach to body movement. Developed by dancer and artist Sumarlinah Winoto transomatics is an alternative offering through creating an all-trans space for people in the community to explore what it means to sink deeper into their bodies.
'Through the Eyes of Her Children' by Young Eritreans Australia hosted by Blak Dot Gallery celebrates Eritrean voices and how we connect with each other and culture creatively, living in the diaspora.
Archival Breaks is an ongoing digital project focused on the collection and collation of material related to the Black African experience in Australia during the 20th Century.
Young Eritreans hosted an afternoon in Edinburgh Gardens, with food, games, henna, painting and crafts.
Arts Gen hosted VietSpeak for a discussion of Steve McQueen's Small Axe (2020) film series. The panel reflected on parallels and resonances between the films and the contemporary climate of Melbourne’s West.
As we emerge out of lockdowns, reconnecting and care has never been more important for our communities.
Honesty Policy is a series of workshops and public showings – part music jam, part open mic and performance dialogue, hosted by Musican Sirak Keeghan. Primarily occurring at Fitzroy Learning Network and working with local artists and community leaders, Honesty Policy unpacks experiences of lockdown and post-lockdown in the City of Yarra.
Dichōtomi is a cultural archive dedicated to holding space for multidimensional experiences of black creativity
Three Fold Rise created by artist John Mashar, is a spoken word video-art piece that captures of both the individual and collective experiences of the Covid-19 pandemic. In this work, John Mashar explores the theme of resilience within the context of Covid-19 and provides commentary on the African-Australian experience.
Out In Public is an online exhibition featuring the stories of 6-8 Queer Blak, Indigenous and People-of-Colour (BIPOC) and their relationship with Naarm’s local cruising spots, also known as “beats.”
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